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Empty Houses Are Lonely

by Tom Brosseau

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1.
Fragile Mind 03:30
2.
3.
Hurt To Try 04:27
4.
Mary Anne 03:05
5.
Dark Garage 05:23
6.
7.
8.
9.
10.
Bars 04:40

about

The one thing I remember most is the cold weather. The cold can and will find ways to take the warmth away from anything - no matter how tight your mittens are, or how bundled up you are - eventually the wood burns out and ashes and darkness comes in. One thing I know, no matter what, I had joy and love from many things. I had a dog once named Lucy. I had a good family. I played hockey and liked to skate on the river. My grandmother taught me guitar. I had a girlfriend who was pretty sweet to me. It's a strange combination - cold and love. In a way, they are opposite from one another, or if given at the same time make the color gray, or make situations neutral.

On Reeves Dr., close to where I grew up, there are these old mansions, always with little candles in the high-top windows, with home-made curtains. Every now and then, they have the Parade of Homes, where you can see what these houses are like. Most of them are made of dark wood and pillars, with crooked panes and steep steps, and some with carriage houses. All of them have this feeling about them.

My brother would say the music he listened to growing up was Duran Duran, Prince, Falco. My brother is taller than I am, slightly taller, with broader shoulders and darker hair. He is, in a way, everything I am not - and we are blood. I would say the music I listened to growing up was Marty Robbins, Pablo Casals, Leadbelly, Bob Dylan. I am younger than my brother, Ben.

I am from a strange part of the United States. North Dakota. I mean this in the most sincere and good way. Grand Forks is close to the Canadian border, located on the mighty Red River, a stone's throw from Minnesota. You can see the white smoke from the American Crystal Sugar factory. You can hear the Burlington Northern. I can feel how old something is. I can feel the mystery and the heartache and triumph. I can feel the value and the way it was handled. I can see the sorrow. I can feel the weight, if you know what I mean. Objects, like medals, or trophies, carry feeling with them. So do simple things, like coins and plates and Zippo's and cufflinks, and it's different from the natural nostalgia of things.

I have these visions of being in a great, tall house. I am in the attic, looking out from the two big windows. It's cold and dark, but I don't feel bad. It doesn't affect me. I look at a couple of people walking by, holding hands, on the sidewalk. I see a truck drive slowly on the street. I can see the post lights, one after another. There's a play-toy, forgotten on the berm. I look at the world as if I were an old dark home.

credits

released March 13, 2006

EMPTY HOUSES ARE LONELY
by Tom Brosseau

Empty Houses are Lonely is a compilation of songs, most of them recorded and produced by Gregory Page, in San Diego and Poway, California. Gregory Page is the kind of person who is devoted to recording and writing and making albums - always is working on something, or helping someone. He has this great story about sitting on Paul McCartney's lap at a bull fight in Spain. His mother was part of a group from the 1960's called The Beat Chicks, and they opened the only two shows the Beatles ever did in Madrid. Apparently, right before the matador put the bull to death, Paul covered baby Gregory's eyes - pretty sweet. Not a lot of people have heard these songs. A couple of them are officially previously unreleased, “Bars” and “Hurt To Try.” Most of the songs come from the albums Gregory Page produced entitled North Dakota and Outtakes, v.1 (a.k.a. 5 song demo). The other album from which songs were pulled is Late Night at Largo, produced by a fellow of the name Mark Flanagan. My whole reason for leaving San Diego, California, has a lot to do with Flanny. It was a thrill to record at Largo. Scott Fritz, who recorded Late Night, is pretty great, and really captured the room. He set up this one microphone and that's all we recorded with. I sat up on stage and played.

I think Empty Houses really represents well the early days in San Diego, Poway, and Los Angeles, California. It seemed like I lived in so many places during this time: rented a room in a house, rented a room in a house with my girlfriend, rented an apartment with my girlfriend, moved out from my girlfriend and rented a sleeper in an old hotel, moved from the hotel to a house with a roommate, moved from San Diego. I am affected by the places I have lived, I would say. I think that some strange spirit was looming around in the old hotel where I lived, in the Golden Hills room that I rented too. Things were darker during this time, listen to ‘Fragile Mind” and “How To Grow A Woman From The Ground.”

I have been living in Los Angeles in the same place for three years in a section of town known as Echo Park. Echo Park is quite historic. It's one of the last stops on Sunset Blvd. before Chinatown, before downtown and Union Station. There are all of these mansions in my neighborhood that seem to rise out of nowhere. They used to film Buster Keaton movies here. On a good day, you can see the rolling hillside up on Bonnie Brae St., across from Echo Park pond...you can sometimes make out the Hollywood sign...every hour the ice cream man slowly drives by, with that song being broadcasted out, ringing down the streets. It seems like every where I've lived becomes my new home. And thankfully so.

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Tom Brosseau Grand Forks, North Dakota

Tom Brosseau is a folksinger and songwriter from North Dakota. He comes from a working family with a musical background. His grandmother Lillian Uglem taught him the acoustic guitar while he was in grade school. He has exchanged songs and poetry with many talented folks, including Susan Orlean, Ramblin’ Jack Elliott, Patrick Marber, Bonnie Raitt and the late Sam Hinton. ... more

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